The name Sound Effects Of Death And Horror comes from the BBC soundtrack album of the same name released in 1977. It’s a one-person project by John. He doesn’t share his full name as the music should be the focus, not the individual.

He grew up in England in the 70s and 80s, experiencing at first hand the joys of the Cold War and Thatcherism. His early memories are full of civil defence, nuclear siren tests, public information films, Quatermass and Doctor Who.

John played in thrash metal bands in the 80s and 90s but gave up to focus on his own compositions and songs. With influences from Celtic Frost and Black Sabbath through to Tangerine Dream, King Crimson, Vangelis and Terry Riley he uses a broad range of styles in his compositions.

Film has also been a lifelong fascination – not just visuals but the soundtracks too. John Carpenter and Goblin fuel a lot of late nights. Reading is another inspiration. He quickly graduated from Tolkien to King, Herbert and Barker and then onto Ballard, Vonnegut and beyond.

SEODAH is the culmination of all this. John sees it as a series of projects and concepts that interest him – hopefully you’ll like them too. Whether you class it as prog, ambient, electronic, or experimental music is up to the listener.